And there's the wonderful Gort's Double-Decker - again, ignore the sound names, listen to the sounds and imagine what you can use them for, remembering you can use EQ to make them sound totally different (I know you know that but we get used to using EQ just to make them sound more like themselves, forgetting we can use it to change their nature totally.) Me, I stick with Edirol Orchestral. Try the Saint James Orchestral Soundfonts if for some reason you don't want to use Edirol.
You want to go and rescue it - mind you, people say that about all my pieces but however. I've even got a rave soundfont that's the saddest, loneliest sound ever if you just drop it into a New Age piece. Hawaii not!) It's church bells have never seen a church - but they're GREAT Tubular Bells! I've got a ton of soundfonts that are nothing to do with their names, so I've renamed them all as what I use them for. Keep the pan-pipe a little quiet so it's just the echo from the slide and you're home free. Does it sound anything like one? Nope, not even in the same city.īut - it's a GREAT slide guitar!! (If you layer it with the Hawaiian Guitar from Evanescence 2, they sound superb together.
For instance, Evanescence 2 has got something called a pan-pipe. And add a little reverb and the sounds don't brush up too badly, you know? My own take on soundfonts is this: listen to the sound, not the name. They're - er - rather large soundfonts - 1 gig each (sheesh!) but there's a program called Soundfont Splitter that splits the individual sounds out and Viena to recombine them into your own sets. You can even use EQ to cut out the loud frequencies, making it sound quieter, not fake/false.Īlso, there's Evanescence and Evanescence 2. It needs careful EQ!īut the effort's worth it. If you want a piano to sit on top of the Edirol Orchestra - I know it's got one but again that's a bit soft - there's a lovely Roland 64-voice piano soundfont out there which I use all the time. You can run many instances without significantly using more memory/processor as after the first instance has loaded its sounds, the others all share the same soundset, they're not loading in their own separate set each time. All the instruments sound real - but some WILL need a bit of compression on if you want them to stand out. The strings are great - they used to get used in B-movies, once. The best - and now free - virtual orchestra floating around the Internet is Edirol Orchestral. Change this sentence and title from admin Theme option page.ĭear Everyone. I'll send you the link to download it straight from either 'DropBox, Mega. If anyone needs Edirol Orchestral vst, you can get it from me.
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